Published on Thursday, June 11 2009
It’s was a heck of a first week of June, most things related around one of the great, and arguably last, rites of passage–death.
It’s taken some time to write all of this, and because the writing was fragmented, it isn’t what I’d hoped. Sigh. I gotta get in the habit of single-sitting writing when I have the time. Of course the trade off would be that things like this may never get written. Hm. More experimentation is in order. Aaaanyway.
The facts of the matter are that my circle of humans managed to lose not one, but two family members the first week of the month. Neither one was what I would call very close to me, so I’ve been afforded a measure of objectivity through the whole thing. For someone like me, that means a lot of thinking, unbridled by emotion. And that sort of thinking makes me want to write. So, this’ll be a long one, I fear. I’m going to split it up, in fact, into two posts so I don’t scare the bejeebus out of any potential readers. I want to write about facts and feeling, but also about the numinous, and spirit. Facts and feelings first.
The first one to leave was my cousin. He was about as far as one could get from me and still be considered family. In fact, I don’t think I’d seen him since my father’s death, some thirteen years ago. His death pretty much means that I’ll be seeing about as much of him as I have been. This in spite of the fact that we lived in the same city. He was a bit of a different sort, at least by way of our personalities. I mean, to be fair, I haven’t ever had too much contact with my aunt and her family for reasons I’ve never really hashed out. And as far as my cousins from that family go, we hardly ever crossed paths, even at the rare family functions that would have otherwise brought us together. But this particular cousin was a rambunctious one, and I don’t recall a single time I saw him and he wasn’t under the influence. He liked his drink, and it’s clear that that little habit was the cause of his demise.
The second to leave, only three days later, was Suzanne’s father, my ‘technical’ father-in-law. Someday I’m going to write about what makes family family. There’s an ongoing debate in my circle of family about whether it is marriage that makes a family, or time. I’m more in the second camp than the first, and I’m happy to find that I think Suzanne’s family is also begrudgingly subscribing to that in certain situations, however much it might run contrary to their traditions. In any case, that’s for another musing. But I can tell you that although he lived in Aurora, some two hours from where Suzanne and I live, I saw him multiple times a year, at least for every one of the family functions, and they had many. Suzanne’s relation’s sense of family is far different from that of my relations. Another entry. The point is, over the nearly 11 years I’ve known Suzanne, I got to know her dad fairly well. At least enough that we spoke frequently, and I think he was cool with me, and I was certainly cool with him. He was a nice man. ALS was a really shitty way for his life to come to an end. Ironically, there’s much more emotion that runs with Suzanne’s dad than does with my cousin. I guess it makes sense, given the time we spent.
My cousin’s death followed a very bare-bones sort of ritual. It was what my brother appropriately called “low key”. There was the fact of the death (no one in my family knew that he was even all that poorly off until just two days before he was gone–truth be told though, I was not surprized). After that followed a very brief service, immediate exodus to the cemetery, and we pretty much just lowered him into the earth. That was that. I guess, at the quick, that’s all we in the New World Christianish traditions do.
The thing that struck me is that for the sake of the human factor, death is really very hard. People say that this death was particularly hard for my aunt and uncle because “no one should have to bury their child”, but I think that although true, it’s not like anyone would argue that it’s an easy thing to bury one’s parent, spouse or kin. It’s probably not fair to say that one is easier than the other. Death’s hard for those closest to the deceased. The service, while quick and low key, did include some moving speeches by his friends and family, who took the time to tell those of us who pretty much didn’t know the heart of the man a little bit more about him. I get the impression that he was a barrel of laughs to his friends, and had the ability to make up alternate lyrics to songs–the thing that struck me most because I do the very same thing. Thing is, they all had trouble getting through their speeches, all choked up thinking about him, and it all seemed quite sincere. I just got the feeling–and it’s probably incorrect due to my own bias, that they were saying things awkwardly from the heart that they never actually said when he was around. I’m not sure if they knew how to give voice to their feelings, and that made it seem strange. I can hardly fault anyone for not knowing how to encompass emotions in a restricted oral format, though.
The real kicker was when they lowered him into the grave, and the immediate family got to toss a flower in with him. When my aunt, now some 80 years old got up to toss hers in, she seemed so utterly frail, and for just a moment, I swore she morphed into my Oma. It was really freaky. And her pain was palpable. it was truly tragic, and very hard to watch, and I felt very sad for her, and also for everyone who was close to him. I guess because I know that due to his drinking, he wasn’t always an easy dude to get along with. My last memory of him was when he showed up at our house shortly after dad died, clearly four sheets to the wind, crying about the loss, and I remember thinking that I didn’t even cry that much, and let’s face it, given how much our families hung out, he didn’t have any business crying that much; at least not in my opinion. He felt fake, and I found myself feeling more put off than thankful. It was also pretty hard to get rid of him, as he had all the social graces that come along with one who is thoroughly inebriated. Anyway, in spite of all the negative things that he must have put people he came into contact with through, they only seemed to remember the good qualities. That’s a really good thing.
The service for my father in law was much more involved, and more well considered, and as a result felt far more appropriate. That is, it felt like the whole thing considered the man, his life, and what he would have wanted, all wonderfully entwined with the real emotions of the family, and truly gave everyone who attended the visitation, service and interment a real idea of what he was like. There were many pictures, all thoughtfully put together in such a way as to showcase his life, there was a well-used book for people to write memories of him, and there was a showing of support of the likes I’ve never seen. People came from very far away both geographically and chronologically to pay their respects. People I never imagined would walk through the doors of the visitation showed up to offer a physical showing of support for everyone in the family and for me, too. I was really touched, and very much humbled at that. Clearly, not only was my father in law a man whose life made a difference, and touched many other lives, but the people that he surrounded himself with also surround themselves with wonderful people. It’s a testament to character, and to human relations. His spirituality shone through in both the fact of the services and the texts chosen, and in the way Suz and her sister delivered a fantastic eulogy that I can’t imagine could have been made any better.
The readings at the graveside weren’t only the usual 23rd Pslam, which I think at this point is so overused that God won’t let you into heaven if you don’t have it read. There was that one, of course, but also chosen was the wonderful passage on Death that appeared in Kahlil Gibran’s “The Prophet”, one of my favourite texts ever for sheer beauty of phrase and poetry. Although now that I Google it, it comes up as one of the best choices for funerals, so it may well be that it’s as overused as the 23rd Psalm, but what do I know? I guess my point is that I felt like it was a very good send off, or to use a phrase that’s been hovering around these days, way to “tuck him in”.
One thing I found interesting is that the metaphor of the sun setting was used in both funerals. People saying that we should think of the deceased as the sun setting after a beautiful day. We can be sad that it’s gone, but we know we’ll see it again, and it will shine as bright when we witness the dawn of our next life (whatever that is). It’s interesting because it’s a decidedly pre-Christian image. Sun worship is a little out of the mainstream. But it does give good imagery, just like anything we take the time to truly consider.
And I guess now that both these funerals are over, the hard part comes. I think it takes a year at least for people to move on from a death on any practical level. The seasons need to turn once without the deceased, so that those of us still here can learn what it’s like to live our rituals and pass our time without them.
For me, that also includes another element, which is learning to live with them again, in a new way. And I guess that’ll be the next entry about this. However, as a segue, I’ll share the following song with you. It’s got some legs when it comes to death. On the day my dad died, which was my first real time around the whole death/loss/funerals/cope merry-go-round, I woke up with this song in my head. I’m not exactly sure what put it there, but it seemed to fit quite nicely, and it made me feel better for all the fact that it is mainstream pop. It’s entered my head every single time death has entered my life since. I dunno… there’s worse things. In any case, here you go.
Sophie B. Hawkins – As I Lay Me Down (Official Music Video)
Published on Thursday, May 28 2009
At the moment, I am enjoying some down time alone while Suz spends some time with her family in Aurora. I think I tend to need a little of this. It lets me just shake out and do stuff that doesn’t mean a thing. For whatever reason, doing nothing save for plumbing the depths of my memory and past is like wrapping a warm blanket around me on a winter day. I just feel better. It’s a decent recharge.
So instead of doing things I know I should be doing, I spent some time last night finding an old video and making it so the whole world can see. Dunno if anyone in the whole world will care, but it was a damned good laugh for me.
This whole thing started a million years ago (or so it seems) when Erik had a huge fight with one of his parents, left the house in a huff and just kept walking up the railway tracks. Eventually, he found a wooded area, and went for a walk through it. As legend has it, it made him feel so much better that he wanted to return, and so he told me about it and off we went. When technology became within our grasp, we started taking photos, and then video of these walks. This is a small cobbled together snippit of the first trip there.
We intended to go three times, and so we did. This time was perhaps most memorable because it was the first time we went during the warm months, and so were completely unprepared for the bugs.
It’s cool to be able to do these things… one of my ongoing projects is to try to get all my old video into digital, so this was another one checked off the list. I’ve found though that there’s other benefits in the form of brevity. This whole video is nearly 45 minutes in length, and to comply with Flickr’s limitations, I had to make it only 90 seconds. Surprizingly, it conveys much of the spirit of the whole film.
Of course, I did leave out a lot–much more than I’d choose to. I guess the point though is that once I’ve digitized the raw footage, I really can easily edit in a way that simply wasn’t possible before I got my paws on iMovie. I think that I could probably get the full effect down to about 10 minutes, and that’s pretty sweet. Maybe I’ll cobble together a proper one, and for the next video, I’ll stick it up on YouTube or something.
I think a part of the reason people dislike sitting through other people’s movies is the useless length. This way I can cut out all the ‘you had to be there’ moments and filler. Pretty sweet.
As I said on Flickr, this one’s probably rated 14A just because we were foul-mouthed and because no one should live through seeing Martin’s Legendary Mullet without some sort of warning.
[flickr height="300" width="400"]http://www.flickr.com/photos/spaceamoeba/3571389045/[/flickr]
Published on Wednesday, May 27 2009
I never really considered it before, but I think that prog-rock is a label that works for a lot of the stuff I like to tune my ears into.
This morning, I was trying to arrange a get together with a friend and we were going back and forth trying to figure something out for this week to no avail. So, she suggested next week, and I said that only time will tell (my time’s loopy right now mostly thanks to the volatile nature of all things happening in Suz’s life). But that phrase, “only time will tell” immediately put me in mind of the following classic:
Such are the pathways mental of Martin. Tee hee. Anyway, I was watching this video and musing about a few things:
First of all, the choices they made with regard to the presentation of the video. Propping up TVs and the like to show various things is way cool. I don’t think anyone’s done that since, and it’s a good idea that merits plagiarism and update to LCD screens by some post-prog-rock band. But what about the random chick doing the backflips? I’m not sure about that. I’d love to know what she’s doing today (probably not backflips).
The thing is, it’s an extension of the presentation of the band and music in a visual form. Asia’s album covers are all friggin’ awesome, and some of the coolest stuff I ever saw. What I didn’t click into was that they are all done by one guy who does other famous artwork for other bands which explains a lot, and that this tendency to put together cool-ass artwork on your album was part of the prog-rock philosophy. That’s an ingenious little thing, as not only do you have a way cool album visually, you have all the material you need to put on a t-shirt or concert ticket or whatnot. Add to that the fact that it no longer matters a fig what the band looks like. It never dawned on me, but I’ve been saying that Journey was one of the ugliest group of mo-fo’s on the planet for a while–but my god, they were talented out the wazoo. Not putting their picture on the album and instead including way cool artwork is a subtle masterstroke I didn’t even pick up on consciously until now. But then, everyone was a dork in the 70′s.
Next thing was the music itself. I was listening to it and thinking that it was a step up in sheer musicianship from most of the pop music scene. Seems like it had elements of disco in the beats and use of strings that often showed up, and elements of folk with the harmonies. But then it had this full, huge sound owing to synth and track layering, and it had these great subtle guitar bits of the sort you got before the shredding guitar heroes of the 80s. It was much more about the music than the lyrics, which are sort of a step back from the folk that preceded or paralleled this stuff. Strange how I never thought of this before.
But yeah, run down the list of prog-rock bands, and they’re all favourites of mine starting with Zeppelin and Pink Floyd right up through Genesis, ELP and Asia. Funny thing though is that they mention King Crimson in there, and I don’t think I’ve ever heard a thing from them.
Mental note: must check them out. Hmmm.
Published on Friday, May 22 2009
Heh.
So, for the last little while, I’ve been posting over on Facebook the song that I have going through my head on any given morning. Not sure if I’ve mentioned this (probably have) but I will commonly wake up with a song in my head. This is a gift (eccentricity? sickness? disorder?) I have had for nearly as long as I can remember. In the last few years, I’ve ignored it, but it used to be the driving force behind my collection of music. If I woke up with a song I didn’t own, I’d go out and get it. Nowadays, I own practically everything I could ever have going through my head, but the question is, will I be able to find it out there on the big, bad internet?
Well, we’ll see. Not sure if this’ll get old, but it will certainly keep the tunes going, and it acts as a weird kind of tally of the goings on in my cranium on any given morning. As a note to interested parties: this is a good way to get into my head before I even know what’s going on. usually, the songs are reflective of my moods or overall state of operations. So, if you ever want to know how it’s going, this is a good (although not perfect) indicator.
I’m going to start this little experiment off with Murray Head. Breaking my own rules, this one isn’t one I woke up with, but rather one I got on the way home. Another little-known fact. When I’m riding on my motorcycle, and there’s no radio, I tune in to songs in my head. I don’t know where those come from either. This evening, it was this. Go figure.
Published on Thursday, April 30 2009
So last time, I was saying that I easily fall into the trap of wasting my nights on useless stuff (read the internet). I’ve been trying to do better the past couple days. It’s part of the reason I haven’t written. You might be happy to know that I have indeed cleaned up a little (twice) spent some time leisure reading, and went for a walk or two. Also got to bed early last night, and spent some time on one of the projects I was hoping I’d get to.
Thing is, I only feel marginally better for it. I think part of it is work related. Perhaps things will improve over the weekend. I’m glad to see it coming on, and I hope it’ll be a decent one. Anyway, I just sorta wanted to say hey again, and keep this thing going. As I said earlier, I worked on a little project, and that’s to start creating some instructional videos for the car stereo I picked up. If you have the remotest interest, here’s one of them. I hope I can get to making the others sometime this weekend.
Xaio for now!